I (You) have the basic structure of an act but I (you) want to make it funny
(here is what I hate to do, because it makes me think out de box, I like to just pick on element at random then monkee wrench it upon the
part of the act I am working on)
**48 things that comedy writers have identified as things that make people laugh**
Surprise
slow thinker
delayed anticipated action
impersonation
imagined predicament
spoonerism
puns
word distortion
invented words
topping
incongruous
hidden element
self deprecation
practical joke
reciprical destruction
satire
parody
popular phrase
slice of life
understatement
i-had-it-right here
getting it all wrong
deflation of authority/pomposity
rube goldberg
timing
repetition
reversal
mistaken identity
juxtaposition
malaprop
visual puns
alliteration
put down and retort
non-sequitors
ancient/modern
revelation
the performer in trouble
slapstick
irony
breaking the fourth wall
shop talk
topical
exaggeration
contrast
twisted logic
literal meaning
comic unventiveness
character
These are just comic elements
(here is what I hate to do, because it makes me think out de box, I like to just pick on element at random then monkee wrench it upon the
part of the act I am working on)
**48 things that comedy writers have identified as things that make people laugh**
Surprise
slow thinker
delayed anticipated action
impersonation
imagined predicament
spoonerism
puns
word distortion
invented words
topping
incongruous
hidden element
self deprecation
practical joke
reciprical destruction
satire
parody
popular phrase
slice of life
understatement
i-had-it-right here
getting it all wrong
deflation of authority/pomposity
rube goldberg
timing
repetition
reversal
mistaken identity
juxtaposition
malaprop
visual puns
alliteration
put down and retort
non-sequitors
ancient/modern
revelation
the performer in trouble
slapstick
irony
breaking the fourth wall
shop talk
topical
exaggeration
contrast
twisted logic
literal meaning
comic unventiveness
character
These are just comic elements
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Re: build a comedy routine
Mon, October 1, 2007 - 12:45 PMbumper sticker: honk if you understand the difference between satire and parody. -
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Re: build a comedy routine
Tue, October 2, 2007 - 2:26 PMThe above checklist of comedy elements was stolen from
Bruce "Charlie" Johnsons Book.
"Creativity for Entertainers" www.charliethejugglingclown.com/bo...htm
Here is some more stolen gold from the pages of Bruce Johnsons Book.
Creativity for Entertainers
(This is a set of solutions for creative routine construction)
Joks whacks to the head (Book 2 pg 179)
(write these on scraps of paper and throw them in your hat, pick one out when you reach a creative block)
1.) Listen to the quiet voice inside
2.) Reverse the order of your jobs
3.) make the mistakes more important
4.) If you cant hide something, decorate it
5.) Find the part you like the most
6.)Pay attention to what you really want this line to say
7.) what would a baby do?
8.) I know it is too much, but is it enough?
9.) would your best friend do it another way?
10.) Make a list of the things left to do, and do the last thing on the list.
11.) Does it have more than one way to look?
12.) Trust the artist in you right now
13.) When you have an either or choice, do both.
14.) You have good ideas, really.
15.) Do the thing that is impossible.
16.) Take a nice break . Refresh.
17.) Accept some advice, dont question it.
18.) Do the exact opposite of the advice
19.) does your body have a physical feeling right now? What does it say to you?
20.) Use a color that noone in his right mind would use.
21.) Plow right ahead.
then Charlie adds a few, some from Jok some of his own.
22.) close eyes, open the yellow pages, point to somewhere on that page. Open eyes, that is the germ of your project, like it or not.
23.) Remember to accerorize! A Lot! Our ability to accerorize separates us from the animals.
24.) If it isnt Fun, make it fun. Stop going for the laugh, just make it fun! Only you know how to do that.
25.) Break a rule
26.) Cut it in half
27.) Do it silently
28.) Make it rhyme
29.) Do it backwards, or otherwise change the order.
30.) End with the beginning, what came before this?
31.) Switch Roles
32.) Eliminate a character
33.) Add another character
34.) Go as Slow as Possible
35.) Go as Fast as possible
36.) Use a series of poses like comic strip panels
37.) Do it without props.
38.) Transform your props into something else.
39.) Stop to read a book unrelated to entertainment.
40.) Do something physical
41.) Ask a lay person.
42.) How would your favorite comedian do it (how would Britney/ george bush do it?)
43.) Listen to music
44.) How would it be done in an animated cartoon? (In anime, a hong kong mrtial arts movie, Bollywood musical...)
45.) Turn it over
46.) Do it on the other side.
47.) Why?
48.) Begin at the end, what comes after this?
49.) Change the name
50.) Take a humor break
51.) Combine with another idea.
52.) Ask another entertainer -
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Re: build a comedy routine
Fri, November 9, 2007 - 9:24 AMLess is More --
John Kinde
Less is More. As Shakespeare wrote in Hamlet: "Brevity is the soul of wit."
1. Brevity makes strong structure. The punchline is the payoff. Traditional wisdom is that the shortest distance between the setup and the payoff is best. When a story has a long set up before getting to the joke, it's said that the punchline is carrying a lot of baggage. Top comedians (and magician's) work hard on writing a tight setup because it's the most effective way to structure a joke.
2. Brevity clarifies. The key to humor is relationships and connections. Concise writing helps to make crystal clear the precise words that need to be connected to activate the joke.
3. Brevity gives focus. Wordiness makes for clutter and can hide the punch word or the punch line. That's why the punchline and the punch word normally go last. It puts the spotlight and focus on the key words. Anything added after only camouflages the joke and confuses the mind.
4. Brevity creates scarcity. The person who is trying to be funny all the time, wears out his welcome. People get tired of the showboating. The person who is selectively funny wins. Scarcity creates value. It wins the attention and admiration of others.
5. Brevity teaches discipline. By selecting only the best jokes and delivering only the best lines, you develop the discipline of knowing which lines are funnier. When you blurt out all your funny thoughts, you're not having the mental exercise of filtering out the weak lines. Being selective will make you a funnier person because it will make you a better judge of good humor.
6. Brevity makes you appear funnier. The person who self-selects and uses only the best lines can appear to be funny most of the time. The person who insists on sharing all lines, strong and weak, will appear to be funny a smaller percentage of the time. I'd rather be known as a person who delivers a gem nearly every time he speaks, than someone who speaks all the time and is occasionally funny. One skill set is attractive. One has the possibility of being annoying.
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About the Author
John Kinde provides Keynote Programs on humor, teambuilding and customer service. He also presents workshops and coaching on humor, presentation skills, and improv skills for business. John is the author of a series of audio and video learning tapes. You will find humor skills articles at: www.HumorPower.com.
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